Sunday, January 13, 2013

December 2012, Movies #254-281

281. Django Unchained (2012)

Rating: 8.5/10
Review: However this movie has been received by the press, I figure that seeing dozen of white supremacists/slave owners and traders slaughtered does tend to tip the scale back towards the side of being awesome.  I really enjoyed this addition to the Exploitation genre of film and Christoph Waltz is intriguing as the German bounty hunter espousing Tarantino's monologue's with great ease.  Tarantino is the only one that could have done a movie like this properly with all the control that the Weinstein's give over to him.

280. Hyde Park on Hudson (2012)

Rating: 6.5/10
Review: Bill Murray seems to be playing Bill Murray in this movie and not FDR. But I have to admit that this was an extremely ballsy role for Murray because playing a president who has an affair with a cousin, whether fifth or sixth removed as the movie states, is not going to be an easy role to make sympathetic, yet he succeeds at that to a certain degree.  The King and Queen were not memorable and overall Laura Linney is the best part of this extremely listless film.

279. Searching for Sugar Man (2012)

Rating: 7/10
Review: 60 Minutes ran a story earlier this year that was a Cliff Notes run through of this documentary and I thought this documentary would be just a long form retread. But thankfully there a lot of really interesting revelations that were left out of the 60 Minutes piece.  This is a great profile of a previously forgotten musician.  The music is really the centerpiece of the documentary thankfully.

278. Hitchcock (2012)

Rating: 7.5/10
Review: This wasn't a movie that I was highly anticipating because of all the other movies that came out in December.  So I was pleasantly surprised at how well crafted the story and acting came together.  Anthony Hopkins really does disappear into this role and this is the most interesting starring vehicle I've seen from him in quite awhile.  Even though there is a popular movement to hate on Scarlett Johansson, I really thought she captured Janet Leigh perfectly and brought humanity to a role that wasn't entirely fleshed out in the script.

277. Looper (2012)

Rating: 7/10
Review: Time travel is storytelling esthetic that has been almost done to death that any new film using the same trope has to bring quite a bit of new material to the table for it not to be forgotten immediately after release.  Thankfully Looper does add enough new to be relevant.  Now I know that they needed the two lead actor's to look similar because of the story but I didn't feel like any make-up/facial reconstruction was needed at all to achieve that. Willis and Levitt are believable enough as being the same person sans make-up. I otherwise did enjoy the world created around the story and would welcome future adventures as has been discussed in the press already.

276. This Is 40 (2012)

Rating: 7/10
Review: Like all of Apatow's directorial outings this movie clocks in at over two hours but I felt like this film utilized the running time more than Funny People.  Albert Brooks and Jon Lithgow turn in great supporting roles in this truly stellar cast of Apatow regulars.  I like that we get to see both sides of each main characters and it's not an idealized Hollywood relationship we see so often.  Paul Rudd is a big reason why I'm higher on this one more than Funny People.

275. The Island President (2012)

Rating: 7.5/10
Review: I went in expecting this entire doc to be about global warming and the effects of it on the island nation and while a large part of the documentary coves that subject I didn't expect it to also featuring a rousing story of government reform through protest that brought the focus of the doc to power. Featuring quite a bit of Radiohead music making the documentary even more of a compelling watch.  Watch til the end credits because huge events that happened after the documentary finished shooting are stated in a brief message at the start of the credits.

274. Lincoln (2012)

Rating: 9/10
Review: I had low expectations going in because of Spielberg's past with extremely boring pre-world war two period dramas. But this film is the exception to the rule because of Tony Kushner's screenplay brings to life the nuts and buts negotiations of trying to pass the thirteenth amendment.  That only aids Daniel Day-Lewis immeasurably in what may be his best performance yet.  The opening scene is an incredible introduction to the story with the scene being entirely dialogue driven that while extremely still has great movement in the language.  Also it should be noted that the last few scenes of the movie should have been cut but that is only a slight edit that we can make in our minds and be happy to have seen everything that came before that.



273. Frankenweenie (2012)


Rating: 8/10
Review: I grew up watching the short of Frankenweeie that Burton shot early on in his career, it was a favorite of my dads so we watched it quite often, so it was a great blast from the past when I heard that Burton had decided to produce a feature length version in one of my favorite mediums stop motion.  This delivered on all of my expectations as to what this movie would be and more.  Must see for all stop motion fans.

272. Les Miserables (2012)

Rating: 7.5/10
Review: I was brand new to Les Miserables the musical so as this was my first pass through I really enjoyed the movie a lot more than I expected, granted I had pretty low expectations. With the live performance recording it really brings life to the songs and makes them diagetic to the scene and allows the songs to function more as dialogue in some scenes that helps further the story but still in song format.  Hugh Jackman was great and I would love to see him shoot another musical in the near future. Sasha Baron Cohen has a nice turn as the Master of the House.

271. Perks of Being a Wallflower (2012)

Rating: 5/10
Review: This is a coming of age film that i absolutely gagged while watching because this hits every cliche in one fulll swing.  Emma Watson really doesn't have alot to do here playing a third tier character in terms of screen time.  A much more interesting story in my point of view would have been a story told from Emma Watson's viewpoint or have Emma Watson be the good looking best girlfriend of a female main character, that would be something we haven't seen a thousand times.

270. Zero Dark Thirty (2012)

Rating: 8.5/10
Review: Like all movies based on real events this movie has come under fire and while that is a valid conversation, I'm only here to discuss this as a movie and not a documentary.  Going into this movie my mind raced on how to conceptualize a manhunt that would be interesting that doesn't involve the old west because it makes the investigation the centerpiece and not the on the ground action for the majority of the movie. A single person's dedicated years long investigation is the core of the movie much like David Fincher's Zodiac.  Jessica Chastain only the film with her portrayel of someone who treads in the gray area of good and bad and in pursuit of justice how far to go.

269. Beasts of the Southern Wild (2012)

Rating: 7/10
Review: I initially had gotten the vibe that this was a Malick like feature, but after watching it I would say it has a lot more cohesive narrative than most Malick features.  I was facinated by the movie all the way through and really enjoyed how well photographically conceived the movie was.

268. Sleepwalk With Me (2012)

Rating: 7/10
Review: I expected to enjoy this movie more than I did because I think Birbiglia brings very little to the table in terms of acting, but I enjoy all the stand-up comedy featured throughout the film.

267. To Rome, With Love (2012)

Rating: 6/10
Review: I didn't feel like the character Woody played added anything to the movie and Penelope Cruz is wasted on screen here and her storyline goes nowhere.  The story should have just been the Alec Baldwin/Jesse Eisenberg storyline expanded. This movie was a little disappointing from Allen coming off Midnight in Paris.

266. The Hobbit: An Unexpected Journey (2012) HFR IMAX 3D Presentation

Rating: 8.5/10
Review: 48 frames a second 3D is here and I could not be happier.  This 3D presentation trumps all previous 3D outings in that the 3D picture was so much brighter and actions scenes were so much clearer and didn't cause my eyes to strain like a normal 3D film would have.  I'm worried though that there is confusion about the presentation options and that people are going to the regular 3D presentation thinking its the High Frame Rate presentation but the HFR Presentation is only on about 400 or so screens nationwide. The epic battle scenes presented here were a breath of fresh air, we've become so jaded to epic battle scenes they have become boring to a point, but they High Frame Rate really brings those scenes to life.  But onto the movie itself, I wasn't expecting that much action because of the need to setup and present all the backstory necessary to tell the story a head in the series of films. Now the opening scene looked great but it was too much story thrown at me at once to retain, but all the relevant info is retreaded later in the movie thankfully, but overall this movie was way more satisfying than I expected and I'm saying that as an outsider that never read the book and don't consider myself a hardcore LOR fan also.

265. Holy Motors (2012)

Rating: 6/10
Review: Watching the trailer for this movie I was excited to see how all the disparate characters and settings would be ties together and by the end of the movie I was disappointed to find out that at the end of the movie that they weren't at all. I think knowing that going into watching the movie would have cause me to look at differently and be more into the journey and not the destination. After watching the movie and finding this out I would have rather gone in blank and not seen the trailer because it gave me a negative bias as to what the movie was going to be about.  The movie looked really well crafted from a cinematographer's eye and seeing so much of Paris again is always welcome but I was still underwhelmed by the film, but I'm down for revisiting this movie sometime in the future and doing a new review.

264.Tapeheads (1988)

Rating: 6/10
Review: This movie has some great surreal turns and I enjoyed the several musical sequences which were an unexpected surprise. A nice forgotten satirical comedy.

263. Expendables 2 (2012)

Rating: 6/10
Review: This was exactly what I was expecting with a huge mix of WTF.  This reaches some pretty looney heights.

262. The Last Hard Men (1976)

Rating: 6.5/10
Reason: James Coburn Western.
Review: This western occupies one of favorite sub-genres where modernization of the early twentieth century is making the world smaller through technology and the west is changing from one completely open plain to property owners of land and the rule of the outlaw is coming to an end.  James Coburn has a great outing as cunning chain gang runaway leading a misfit group of follow runways from the chain gang. Coburn has a brutal streak but only as each situation requires all up to the finale of his plan. Now as much as I love Coburn's turn I almost would have liked to see Heston and Coburn switch roles and see Heston play against the hero character portrait he usually plays because I wasn't really interested in any of Heston's scenes where Coburn wasn't on screen.

261. Major Dundee (1964) Extended Version

Rating: 6/10
Reason: Sam Peckingpah backlog.
Review: I should start out with stating my bias against Charlton Heston, the only movies of his that I enjoy are Planet of the Apes, Ben-Hur, Soylent Green, Omega Man, and Touch of Evil because there is enough non-Heston related storytelling to not detract from the movie.  I think his acting is most of the time pretty wooden somewhat like Gregory Peck could be at time but without any of Peck's charm.  In the movie Richard Harris' accent kind of bounces between Confederate and Union Jack a number of times.  Even though I watched the extended version which was supposed to be closer to Peckinpah's original intention, I still found this movie extremely boring and that's with considering myself a fan of westerns in general.

260. Pat Garrett and Billy The Kid (1973)

Rating: 6/10
Reason: Sam Peckinpah backlog.
Review: This movie has a dedicated following that has helped this movie grow in appreciation in the last 20 years. Now I found Kris Kristofferson to be almost unwatchable with his approach to acting in this movie.  It almost seemed like he was being fed lines off camera because it doesn't feel like a cohesive performance from him and because of that it detracted greatly from my enjoyment of the movie.  Coburn as always is solid and blows Kristofferson off the screen.  I don't consider this Peckinpah's best film as some have claimed.

259. The Ballad of Cable Hogue (1970)

Rating: 6/10
Reason: Sam Peckinpah backlog.
Review: David Warner has a good turn i this movie and I always enjoy Jason Robards but overall this movie just plodded along for me and doesn't really stick in my memory as signature Peckinpah.

258. Bring Me The Head of Alfredo Garcia (1974)

Rating: 6.5/10
Reason: Sam Peckinpah backlog.
Review: Warren Oates is an extremely unlikeable anti-hero so he fits the part perfectly.  I did like several of the action set pieces and the cinematography but overall this movie was lacking in terms of general substance.  Only really for diehard 70's action fanatics or Peckinpah completists like myself.

257. The Cross of Iron (1977)

Rating: 7/10
Reason: Sam Peckinpah backlog.
Review: Any film that features German soldiers as the main characters and doesn't present them as monsters has a big hurdle to cross in terms of putting the audience on their side of the portrayed events. During the Cold War the way of doing that was pitting them against the Russians and also having characters that state they were only fighting for Germany and not for the Nazi party.  Party sympathizers are chastised on the front lines because by the time this story starts very few of the soldiers feel like they are going to win the war.  I watched this from a new Blu-Ray remaster that really brought the film to life with how clear and vibrant the film was almost as if it had been shot recently.  This is the only way to introduce older films to a new generation in this quality such as this because then it engages the younger audience on a different level then if there were watching a normal DVD copy of the film. I felt like there were some things that needed trimming like all Peckinpah but I ended being more interested in this movie than I expected partially because I enjoy James Coburn in anything he did during his prime.

256. Howard The Duck (1986)

Rating: 5/10
Review: The legacy of this movie obviously precedes itself and I remember growing up with the VHS cover of this ingrained in my mind (not this poster i have added above) from seeing it on the shelves at my dad's video store.  I also remember my dad owned a Howard the Duck comic or two also that I read and to this day can still remember a few panels of the artwork from. While I may have seen this as a kid, I honestly didn't remember a single scene from it as I watched it for this blog review.  Now yes, obviously this is a hilarious camp classic that has been written about ad nausem so let's get to the stuff I liked about the movie.  There are a ton of (for the time) really well done practical effects that I can tell a lot of money was spent on perfecting.  There are oddly a number of similarities and similar vibe as the Men In Black series and I really felt that this is what Men In Black would have looked like had it been made in the mid-80's.  I definitely recommend this if you've always been aware of the film but never watched it.

255. Premium Rush (2012)



254. Quicksilver (1986)


Premium Rush - Rating: 6.5/10
Quicksilver - Rating: 5/10
Review: So I of course had to watch these movies as a double feature and while both have there share of cheesy thrills, Premium Rush edges out Quicksilver. Joseph Gordon-Levitt's character is a dedicated messenger where as Kevin Bacon's character is a stock broker who bottoms out and uses bike messenging as a back up career.  Funny coincidence that even though the movies take place on opposite coasts (PR-NYC, QS-San Fran) both feature the requisite Asian organized crime lords that figure differently into each story.  The game changer is Michael Shannon as a dirty NYC detective over his head in gambling debts to the aforementioned ethnic gangsters, Shannon's maniac cop is what the Rush stew needed to elevate this to perfect popcorn entertainment.

Wednesday, December 26, 2012

November 2012, Movies #234-253

253. Paranorman (2012)

Rating: 7.5/10
Review: For some reason this movie wasn't released in October and I think it would have done a lot better at the box office because of it.  But I really enjoyed this supernatural tale and it wasn't what the trailers had sold me that it was going to be about, but I liked how dark some of the turns are that the film takes at certain points that I wasn't expecting for something that had been sold as a childs film.

252. Killing Them Softly (2012)

Rating: 8/10
Review: This directors previous film Assassination of Jesse James set my expectations pretty high as to what his follow up film would turn out to be also.  I did enjoy this movie but I feel like I wanted to watch another half hour of this story because it only really picks of steam 3/4ths of the way through the film where it hits its stride.  So overall the movie finishes strongly but the earlier parts seem a little more idle than I expected.

251. Paul F Tompkins: Laboring Under Delusions (2012)

Rating: 8/10
Review: If you saw this on Comedy Central, they only aired half of the material taped for this special. The audio album and the DVD/VOD are uncut and the only way to really see this.  Paul F. Tompkins is one of my favorite stand up comics working today.

250. Skyfall (2012)

Rating: 7.5/10
Review: I'm a one of the few people that liked Quantum of Solace more than Casino Royale and admitting that bias, most people prefer Casino Royale more but I feel everyone will be happy with Skyfall that enjoyed either previous Daniel Craig Bond film. But for overall action I still put Quantum as my favorite but for a villian performance I'd take Javier Bardem out of the three Craig Bond Villians so far.  While I did enjoy this Bond film, I don't agree with the hype upon release that said this was the best Bond film ever.

249. Brave (2012)

Rating: 6/10
Review: I had skipped all the promos for this movie because it's a Pixar movie that isn't part of the Cars franchise and I had no idea what the plot was going in, and I have to say this movie has everything going for it except the plot.  The main character curses her mother with the help of a witch and her mom turns into a bear and the rest of the movie is spent trying to uncurse her mother.  How To Train Your Dragon is a vastly superior tale in an extremely similar Scottish/Irish variant world which is the first time that I've ever been able to say a Dreamworks Animation film tops any Pixar movie (besides the aformentioned Cars)

248. Brody Stevens Enjoy It (2010)

Rating: 7/10
Review:  This HBO digital series only available on HBO Go is cut up into 15min parts with the aggregate running time coming in around 90mins.  This is a really good documentary about stand up comedian Brody Stevens and how his comedian friends help him cope with a break down he has.

247. The Adventures of Pluto Nash (2002)

Rating: 5/10
Reason: How Did This Get Made? podcast
Review: Having listened to the podcast review first I really had low expectations going into this film and it lowered the bar even from those expectations.  And this poster is insane also, that character holding the double guns below Eddie Murphy isn't in the movie at all and that crazy space hoop dress Rosario Dawson is wearing never makes an appearance in the movie also.


The Pusher Trilogy

Review: I wanted to watch this because of the film Drive that Refn also directed and this series of films was were he first came to prominence. But I would rather go back to what I thought of the director without seeing this trilogy because these movies are completely forgettable and don't even stand out in the genre of drug dealing movies.  The second film wins as the best in the trilogy but is only slightly better than the others because of Mads Mikkelsen taking the lead role and he brings some life to the role absent from the films.

246. Pusher 3 (2005)
Rating: 5/10
245. Pusher 2 (2004)
Rating: 6/10
244. Pusher (1996)
Rating: 5/10

243. High School (2010)

Rating: 6/10
Review: The most memorable part of this movie is the showy drug dealing role that Adrian Brody plays, he should have been the main character because everything else about this movie is not memorable.

242. 3.2.1... Frankie Go Boom (2012)

Rating: 6/10
Review: Great cast doesn't quite bring this movie together, even getting to see Ron Perlman cross dress isn't really worth sitting through this movie.

241. Lawless (2012)

Rating: 7.5/10
Reason: Director John Hillcoat (The Propostion and The Road)
Review: While all the parts are there for a great film, it only slightly exceeded my expectations for a John Hillcoat film.  Shia Lebeouf detracts from the movie as I expected.

240. End of Watch (2012)

Rating: 6.5/10
Review: I didn't expect this movie to incorporate the found footage angle and while that is tired they actually bring some life to a previously well wrought plot line about LA cops.

239. Cobra (1986)

Rating: 5/10
Reason: How Did This Get Made? podcast
Review: Sylvester Stallone mumbles his way through this laugh romp about a cop who makes his own rules!  There are a number of great moments throughout, but the main serial killer leader I recognized as the cloned agent/enforcer of the X-Files.

238. Savages (2012)

Rating: 6.5/10
Review: Oliver Stone's newest film is an enjoyable watch but suffers like some drug dealing movies do with a lack of a grasp on the reality of the drug dealing world.  And the Blake Lively narration is a bit grating at times also.

237. Killer Joe (2011)

Rating: 6/10
Review: This is William Friedkin's umpteenth time at trying to come back into directing relevance and while he does a capable job of guiding the performances in the film I just didn't like the story and it didn't interest me the entire way through.

236. Sleepaway Camp (1983)

Rating: 5/10
Reason: How Did This Get Made? podcast
Review: Wow, this movie is a camp classic, pun intended.  This ultra low budget makes no sense movie has one of the greatest dumb twist endings that had me barrel laughing.

235. Ted (2012)

Rating: 7/10
Review: Even though it had the annoying Boston/Family Guy vibe going for it I did enjoy this movie because the story arc and screenplay were clearly thought out and come together well at the end.

234. Your Sisters Sister (2011)

Rating: 7.5/10
Reason: Mark Duplass and I'll watch any of the low budget movies he stars in
Review: I really enjoyed this ensemble cast and the whole movies comes together well and could be a play but isn't tedious like what I normally think of when filmed plays come to mind.

Sunday, November 11, 2012

October 2012, Movies #222-233

233. Abraham Lincoln Vampire Hunter (2012)























Rating: 6/10
Review: The problems with this movie start with the casting of Lincoln, I don't think he fit the part and felt out of place with the physicality needed for the role.  Anthony Mackie is wasted is his role as Lincoln's sidekick also.  Dominic Cooper's part was the most interesting role in the movie and I felt stole the show. 

232. Candyman (1992)
























Rating: 5/10
Review: So I had heard so much over the years about this movie, but I obviously should have watched this when I was a kid because this is just a goofy horror movie. Virginia Madsen in her prime was worth watching the movie.

231. Snow White and The Huntsman (2012)























 Rating: 7/10
Review: I had low expectations for the movie but I did find it to be entertaining despite the origin of the movie and the press drama surrounding the director after the release of the movie.

230. The Hitcher (1986)
 
Rating: 7/10
Review: I wanted to see some Rutger Hauer in still mint Blade Runner condition and he delivers a great psycho performance here that even with the passing of almost 30 years doesn't seem has hammy as other scary movies from the 80's I've been watching recently.

229. Dark Shadows (2012)
























Rating: 6/10
Review: So this movie was misadvertised as a comedy upon release this summer, when it should have been released around Halloween (duh) and should have had an entirely different ad campaign. But overall this was pretty middle of the road, not as bad as I was expecting considering the critical drubbing it got this summer.

228. The Campaign (2012)























Rating: 7.5/10
Review: I really enjoyed this extremely timely movie.  For fans of Will and Zach this is a must see.

227. Cloud Atlas (2012)
























Rating: 9/10
Review: Truly Epic. Not perfect by any means but I was completly in for the entire ride that was presented.  This will find its audience in time.

226.  Argo (2012)
























Rating: 8/10
Review: I really enjoyed this docudrama even though this is one where the conclusion isn't in doubt but it's still an extremely compelling watch.

225. Seeking a Friend for the End of the World (2012)
Rating: 7.5/10
Review: This is something I was expecting to be a little more black comedy than it turned out to be (it was more dramatic than I expected) but I still enjoyed the overall film

224. Safety Not Guaranteed (2012)























Rating: 7/10
Review: I really enjoyed this small movie that almost plays like a Duplass film but he's only acting in this one.

223. Rock of Ages (2012)
























Rating: 5/10
Review: I deplore all of the songs in the musical so it's surpising that it even got a 5 from me, but I enjoyed the Russel Brand and Alec Baldwin characters and it was the only saving grace for me. Skip this hard

222. Mansome (2012)
























Rating: 6.5/10
Review: Introspective look at the business and societal changes that surround how the accepted appearance of has changed over time.  Lots of good interviews but I didn't really care for the people with appearance problems that are profiled through the film.